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FinnBandShop – Your Global Source for Finnish Wind Band Sheet Music. Discover, Inspire, Elevate. A collective online store by Finnish wind music publishers.

FinnBandShop – Globaali suomalaisten puhallinorkesterinuottien lähteesi. Suomalaisten puhallinmusiikkikustantajien kollektiivinen verkkokauppa.

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Boys of America - Finnish Brass in America Series

  • Product image of  Aamulla varhain - Early in the Morning

    Aamulla varhain - Early in the Morning

    15.00 EUR

    Ameriikan poijat Finnish Classics Series Aamula varhain (“Early in the morning. A song of lost love.”
) is one of many short descriptive instrumental works by Edvard Armas Järnefelt (14 August 1869 – 23 June 1958). He was a Finnish conductor and composer, who achieved some minor success with such orchestral music Berceuse and Praeludium. He spent much of his conducting career at the Royal Swedish Opera in Stockholm, Sweden. Many of these works have been transcribed for Seitsikko. The Ameriikan poijat Finnish Classics Series is scored primarily for original Finnish brass septet: E flat Soprano Cornet, two B flat Cornets, an E flat Alto Horn, a B flat Tenor Horn, an Euphonium, and a Tuba. However, these sets also include alternate parts for flute (piccolo), clarinet, French horn, and tenor saxophone. The original seven parts can also be played by other instrumentalists who read those clefs and transpositions (tenor saxophone, bassoon, bass clarinet, etc.) While many of us in Ameriikan poijat have contributed arrangements to this series, it has been primarily of work of Tracey Gibbens, with editing by Russell Pesola and Paul Niemisto. Järnefelt was born in Vyborg, in the son of General August Aleksander Järnefelt and Elisabeth Järnefelt (née Clodt von Jürgensburg). Järnefelt studied with Ferruccio Busoni in Helsinki and with Jules Massenet in Paris. Both Järnefelt and Busoni enjoyed a close relationship with Jean Sibelius, who was married to Järnefelt's sister Aino. Between 1932-36 Järnefelt was the artistic director and conductor of the Finnish National Opera. He presented, among others, Siegfried and Götterdämmerung from Wagner's Ring cycle, and Parsifal. He was principal conductor of the Helsinki Philharmonic Orchestra 1942–1943, and also returned to the Royal Swedish Opera as chief conductor from 1938 to 1946. He died in Stockholm.

  • Product image of  Aeroplane March (by Lauri Koski)

    Aeroplane March (by Lauri Koski)

    15.00 EUR

    Aeroplane March was written by Lauri Koski probably while he was a bandmaster in Monessen, Pennsylvania. It was found in manuscript in Fitchburg, Massachusetts and apparently was never published. Nothing specific is known about the title. The Finnish Brass in America Series is scored primarily for original Finnish brass septet: E flat Soprano Cornet, two B flat Cornets, an E flat Alto Horn, a B flat Tenor Horn, an Euphonium, and a Tuba. However, these sets also include alternate parts for flute (piccolo), clarinet, oboe, French horn, and saxophones. The original seven parts can also be played by other instrumentalists who read those clefs and transpositions (tenor saxophone, bassoon, bass clarinet, etc.)

  • Product image of  Gipsy Life Impromptu ala Zingara (by Aatto Lumme)

    Gipsy Life Impromptu ala Zingara (by Aatto Lumme)

    15.00 EUR

    Aatto A. Liljeström was a Finnish military band conductor and composer. He used the Finnish name A. A. Lumme as was the custom of the time. He served in several leadership roles around Finland during his career, especially in Tampere and Savonlinna. After independence in June 1918, Lilijeström was appointed the first chief conductor of the new Finnish army bands. Impromptu is one of many works he wrote for brass band and was published by the Sibelius Club in Monessen, PA. The Finnish Brass in America Series presents brass band music of immigrants and has not played in more than a century. This band sheet music was found in community band libraries and in archives in Hancock, Michigan- Virginia, Minnesota- Minneapolis, Minnesota – Conneaut, Ohio, and Fitchburg, Massachusetts. These compositions were coming from a much wider range of Finnish immigrant communities from coast to coast and reflect an intense activity during that time. The primary promoter of Finnish community music activity in the U.S. in the early 1900s was the Sibelius Club of Monessen, Pennsylvania. In cooperation with the HN White Music Company of nearby Cleveland, the Sibelius Club published many band pieces, some of which are included in this series. Several compositions are also from unpublished manuscripts. The Finnish Brass in America Series is scored primarily for original Finnish brass septet: E flat Soprano Cornet, two B flat Cornets, an E flat Alto Horn, a B flat Tenor Horn, an Euphonium, and a Tuba. However, these sets also include alternate parts for flute (piccolo), clarinet, French horn, and tenor saxophone. The original seven parts can also be played by other instrumentalists who read those clefs and transpositions (tenor saxophone, bassoon, bass clarinet, etc.) While many of us in Ameriikan poijat have contributed arrangements to this series, it has been primarily of work of Tracey Gibbens, with additional editing by Russell Pesola and Paul Niemisto. The Finnish brass septet (torviseitsikko in Finnish) has its roots in the late 19th century. The Finns that played in the army bands took their music and instruments home with them and formed brass bands in their home communities. These musicians had been trained in the army to play Russian, German, and authentic Finnish music. Many of them emigrated to America. As the music developed in Finland over the years, the tango, cabaret music, and jazz added their influence to the Finnish septet arrangements. Traveling bands and recordings from other nations influenced the music of the brass septet--and also contributed to its eventual downfall. The septet tried to adapt to these new styles, but soon fell from popularity as jazz and the music of the accordion became more fashionable. By the end of the 1930's, the age of the torviseitsikko was over, and Finland was caught up in the jazz movement. In the 1990's, a revival of the brass septet began to place in Finland due to renewed interest in their own heritage during centennial years. Ameriikan Poijat (Boys of America) is an ensemble of American brass players with an interest in Finnish heritage, playing traditional Finnish brass septet repertoire to American audiences and on international tours. Ameriikan Poijat had the honor to participate in events celebrating Finland's 75th Anniversary of independence in 1992, and has made four tours to Finland. Poijat is pleased to be representing North American Finns, reviving old traditions, and contributing to the appreciation Finnish music.

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